http://slickpic.us/546108IgGw
Wednesday, September 10, 2014
Friday, September 5, 2014
SNOPES
ITS CRAZY THAT THEY HAVE THAT IN SWITZELAND IT SHOW US THAT PEOPLE ARE WILLING TO GO ITS SAID THAT A WOMEN BREAST FEED IN PUBLIC THAT ITS UNTHINLABLE BUT THERE WILLING TO YOU A BATHROOM LIKE THAT IN PUBLIC WHEN KNOW CAN SEE THEM BUT IF SOMEONE RIGHT THERE THEY WONT BE ABLE TO.
THE PEPSI TRUCK WON A AWARD IT WAS A AWARD CEREMONY AND IT WAS SHOW CASE FOR FIRST PLACE THE PEPSI IMAGE HAD THE BOXES STACK ON THE CEILING AND THE BOTTOM OF THE TRUCK WAS EMPTY .
THE PICTURE OF THE PAINTED CATS IS FAKE THE VAN GOGH LED TO REALIZ TJHAT BWECAUSE CATS LAY ON THERE BACK THEYAND LOOK AT THINGS AND LOOK UP AT THINGS UP SIDE DOWN THEY CREAT PAINTING .
Friday, August 29, 2014
WIKI NOTES
WIKI NOTES
CAMREA HAVE A LOT OF FEATURES LIKE CONTROLS AND SWITCHS
YOU CAN SET YOUR CAMREA RESOLTUION TO TAKE HIGHE QUALITY PICTURES
YOU CAN SET UP YOUR CAMREA TO ONE OF THE AUTOMATIC MODE
WHEN YOU HAVE THE CAMREA WHIT YOU.YOU CAN TAKE PICTURE TO GET GOOD AT IT
YOU CAN TAKE PICTURES TO GET THE FEEL OF THE CAMREA
USING YOUR CAMREA KEEP YOUR LENS CLEAR OF CAPS STRAPS AND THUMBS
YOU CAN SET YOUR WHITE BALANCE TO CHANGE YOU DIFRENET KIND OF LIGHTING
YOU CAN SET UP A SLOWER ISO SPEED TO TAKE A BETTER PICTURE
TAKE PICTURES IN YOU HEAD BE FOR YOU TAKE IT ON THE CAMREA
TAKE PICTURES WITH THE FULL BACK GROUND
YOU CAN TAKE PICTURES UP CLOSE
YOU CAN SHOOT THE CAMREA FROM DIFFRENER ANGLES
YOU CAN USE AUTOMATICA FOCUS TO TAKE A CLEAR PICTURE
BALANCING THE ISO SPEED AND APERTURE
SO YOU WONT GET A BLURRY PHOTO STAY STILL
YOU CAN USE A TRIPOD TO KEEP YOU STILL
IF YOU DONT HAVE A TRIPOD DONT USE ONE
HOLD THE CAMREA IN A GOOD POSION IF YOU HOLD YOUR ARM UP YOU ARM BEGAINS TO SHAKE
USE YOUR FLASH SO YOU WANT GET A RED I IN YOUR PICTURE
USE YOUR JUDICIOUSLY WHEN YOU NEED TO
AFTER YOU TAKEN PICTURE GO THROUGH THEM TO SEE HOW THEY ARE
PRATICE AND PRATICE SO YOU CAN GET BETTER
CAMREA HAVE A LOT OF FEATURES LIKE CONTROLS AND SWITCHS
YOU CAN SET YOUR CAMREA RESOLTUION TO TAKE HIGHE QUALITY PICTURES
YOU CAN SET UP YOUR CAMREA TO ONE OF THE AUTOMATIC MODE
WHEN YOU HAVE THE CAMREA WHIT YOU.YOU CAN TAKE PICTURE TO GET GOOD AT IT
YOU CAN TAKE PICTURES TO GET THE FEEL OF THE CAMREA
USING YOUR CAMREA KEEP YOUR LENS CLEAR OF CAPS STRAPS AND THUMBS
YOU CAN SET YOUR WHITE BALANCE TO CHANGE YOU DIFRENET KIND OF LIGHTING
YOU CAN SET UP A SLOWER ISO SPEED TO TAKE A BETTER PICTURE
TAKE PICTURES IN YOU HEAD BE FOR YOU TAKE IT ON THE CAMREA
TAKE PICTURES WITH THE FULL BACK GROUND
YOU CAN TAKE PICTURES UP CLOSE
YOU CAN SHOOT THE CAMREA FROM DIFFRENER ANGLES
YOU CAN USE AUTOMATICA FOCUS TO TAKE A CLEAR PICTURE
BALANCING THE ISO SPEED AND APERTURE
SO YOU WONT GET A BLURRY PHOTO STAY STILL
YOU CAN USE A TRIPOD TO KEEP YOU STILL
IF YOU DONT HAVE A TRIPOD DONT USE ONE
HOLD THE CAMREA IN A GOOD POSION IF YOU HOLD YOUR ARM UP YOU ARM BEGAINS TO SHAKE
USE YOUR FLASH SO YOU WANT GET A RED I IN YOUR PICTURE
USE YOUR JUDICIOUSLY WHEN YOU NEED TO
AFTER YOU TAKEN PICTURE GO THROUGH THEM TO SEE HOW THEY ARE
PRATICE AND PRATICE SO YOU CAN GET BETTER
WEB SITE REVIEW
WEB REVIEW
D-SLR USER ARE TRYING THING THEY NEVER USE ON THE CAMREA FEATURES
I SEE THAT THEY PUT A PICTURE IN THEIR TO SHOW US THAT THEY MADE BETTER FEATURES FOR THE CAMREA
D-SLR THEY MADE THE FOCUS POINT FOR THE CAMREA SO YOU CAN TAKE BETTER PICUTRES
YOU CAN ASLO TAKE CONTROL ON THE CAMREA FOCUS POINT
THEY ALSO HAVE FOCUS POINT SELECTION TO CHOOSE FORM
D-SLR LETS YOU CHOOSE DIFFRENET INDIVIDUAL FOCUS MODE
DEPTH OF FIELD PREVIEW LETS YOU BLOCK OUT ANYTHING IN THE BACKGROUND IF YOU WANT TO TAKE A PICTURE OF SOMETHING
D-SLR METERING MODE LETS YOU CHOOSE DIFFRENET ANGLES TO TAKE PICTURES
EXPOSURE LIGHT GIVES YOU AN ADVANTAGE SO YOU CAN TAKE BETTER PICTURES
COLOR SETTING LETS YOU AJUST THE COLOR IF YOU WANT
CUSTOM WHITE BALANCE LETS YOUR PICTURES COME OUT BRIGHTER
HISTOGRAM MAKE SURE THAT THE PICTURE COME OUT FULLY
FLASH COMPESATION HELPS YOU TAKE A BRIGHTER PICTURE SO YOU CAN SEE WHEN IT IS DARK
CREATIVE FLASH LETS YOU EXPAND YOUR OUT DOOR PHOTOGRAHP
MULTIPE EXPORSURE LETS YOU SHOOT MORE THAN ONE IMAGE ON A SINGLE FRAME
MIRROR LOCK UP LETS THE CAMREA TAKE A PICTURE BY ITS SELF WHEN ITS ON LOCK
THE D-SLR LETS YOU VIEW THE PICTURE YOU TOOK ON THE CAMREA ON YOUR TV
D-SLR USER ARE TRYING THING THEY NEVER USE ON THE CAMREA FEATURES
I SEE THAT THEY PUT A PICTURE IN THEIR TO SHOW US THAT THEY MADE BETTER FEATURES FOR THE CAMREA
D-SLR THEY MADE THE FOCUS POINT FOR THE CAMREA SO YOU CAN TAKE BETTER PICUTRES
YOU CAN ASLO TAKE CONTROL ON THE CAMREA FOCUS POINT
THEY ALSO HAVE FOCUS POINT SELECTION TO CHOOSE FORM
D-SLR LETS YOU CHOOSE DIFFRENET INDIVIDUAL FOCUS MODE
DEPTH OF FIELD PREVIEW LETS YOU BLOCK OUT ANYTHING IN THE BACKGROUND IF YOU WANT TO TAKE A PICTURE OF SOMETHING
D-SLR METERING MODE LETS YOU CHOOSE DIFFRENET ANGLES TO TAKE PICTURES
EXPOSURE LIGHT GIVES YOU AN ADVANTAGE SO YOU CAN TAKE BETTER PICTURES
COLOR SETTING LETS YOU AJUST THE COLOR IF YOU WANT
CUSTOM WHITE BALANCE LETS YOUR PICTURES COME OUT BRIGHTER
HISTOGRAM MAKE SURE THAT THE PICTURE COME OUT FULLY
FLASH COMPESATION HELPS YOU TAKE A BRIGHTER PICTURE SO YOU CAN SEE WHEN IT IS DARK
CREATIVE FLASH LETS YOU EXPAND YOUR OUT DOOR PHOTOGRAHP
MULTIPE EXPORSURE LETS YOU SHOOT MORE THAN ONE IMAGE ON A SINGLE FRAME
MIRROR LOCK UP LETS THE CAMREA TAKE A PICTURE BY ITS SELF WHEN ITS ON LOCK
THE D-SLR LETS YOU VIEW THE PICTURE YOU TOOK ON THE CAMREA ON YOUR TV
NOTES ON EILLEN COWIN
EILEEN COWIN
SHE BASE HER STORY ON FACT AND FICTION
SHE USE HER PHOTOGRAHPIC IMAGE TO GET AROUND STORY TELLING
SHE STARTED TO WORK ON HER IMAGES BECAUSE SHE BECAME INTRETSEAD IN LYING
SHE HAS A PICTURE OF A WOMEN THAT SHE IS YOUSING IN HER PICTURE
SHE IS TELLING US THAT THE IMAGE OF THE WOMEN EYE THAT SHE STARING AT SOME THING BUT WE CANT TELL WERE SHE LOOKING
SHE ALSO SHOW A BOOK WHERE THE IMAGE OF LINE HAVE BEEN PLEAD FROM THE BOOK
SHE TRY'S TO COMPARE TO THING'S THAT MAKE IT THE SAME
SHE WAS USEING THE FORK AS AN EXAMPLE THAT SOMETHING COMING OUT OF YOUR MOUTH SEEM SWEET BUT IST NOT BUT.
SHE BASE HER STORY ON FACT AND FICTION
SHE USE HER PHOTOGRAHPIC IMAGE TO GET AROUND STORY TELLING
SHE STARTED TO WORK ON HER IMAGES BECAUSE SHE BECAME INTRETSEAD IN LYING
SHE HAS A PICTURE OF A WOMEN THAT SHE IS YOUSING IN HER PICTURE
SHE IS TELLING US THAT THE IMAGE OF THE WOMEN EYE THAT SHE STARING AT SOME THING BUT WE CANT TELL WERE SHE LOOKING
SHE ALSO SHOW A BOOK WHERE THE IMAGE OF LINE HAVE BEEN PLEAD FROM THE BOOK
SHE TRY'S TO COMPARE TO THING'S THAT MAKE IT THE SAME
SHE WAS USEING THE FORK AS AN EXAMPLE THAT SOMETHING COMING OUT OF YOUR MOUTH SEEM SWEET BUT IST NOT BUT.
Wednesday, August 27, 2014
Friday, August 22, 2014
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