WIKI NOTES
CAMREA HAVE A LOT OF FEATURES LIKE CONTROLS AND SWITCHS
YOU CAN SET YOUR CAMREA RESOLTUION TO TAKE HIGHE QUALITY PICTURES
YOU CAN SET UP YOUR CAMREA TO ONE OF THE AUTOMATIC MODE
WHEN YOU HAVE THE CAMREA WHIT YOU.YOU CAN TAKE PICTURE TO GET GOOD AT IT
YOU CAN TAKE PICTURES TO GET THE FEEL OF THE CAMREA
USING YOUR CAMREA KEEP YOUR LENS CLEAR OF CAPS STRAPS AND THUMBS
YOU CAN SET YOUR WHITE BALANCE TO CHANGE YOU DIFRENET KIND OF LIGHTING
YOU CAN SET UP A SLOWER ISO SPEED TO TAKE A BETTER PICTURE
TAKE PICTURES IN YOU HEAD BE FOR YOU TAKE IT ON THE CAMREA
TAKE PICTURES WITH THE FULL BACK GROUND
YOU CAN TAKE PICTURES UP CLOSE
YOU CAN SHOOT THE CAMREA FROM DIFFRENER ANGLES
YOU CAN USE AUTOMATICA FOCUS TO TAKE A CLEAR PICTURE
BALANCING THE ISO SPEED AND APERTURE
SO YOU WONT GET A BLURRY PHOTO STAY STILL
YOU CAN USE A TRIPOD TO KEEP YOU STILL
IF YOU DONT HAVE A TRIPOD DONT USE ONE
HOLD THE CAMREA IN A GOOD POSION IF YOU HOLD YOUR ARM UP YOU ARM BEGAINS TO SHAKE
USE YOUR FLASH SO YOU WANT GET A RED I IN YOUR PICTURE
USE YOUR JUDICIOUSLY WHEN YOU NEED TO
AFTER YOU TAKEN PICTURE GO THROUGH THEM TO SEE HOW THEY ARE
PRATICE AND PRATICE SO YOU CAN GET BETTER
Friday, August 29, 2014
WEB SITE REVIEW
WEB REVIEW
D-SLR USER ARE TRYING THING THEY NEVER USE ON THE CAMREA FEATURES
I SEE THAT THEY PUT A PICTURE IN THEIR TO SHOW US THAT THEY MADE BETTER FEATURES FOR THE CAMREA
D-SLR THEY MADE THE FOCUS POINT FOR THE CAMREA SO YOU CAN TAKE BETTER PICUTRES
YOU CAN ASLO TAKE CONTROL ON THE CAMREA FOCUS POINT
THEY ALSO HAVE FOCUS POINT SELECTION TO CHOOSE FORM
D-SLR LETS YOU CHOOSE DIFFRENET INDIVIDUAL FOCUS MODE
DEPTH OF FIELD PREVIEW LETS YOU BLOCK OUT ANYTHING IN THE BACKGROUND IF YOU WANT TO TAKE A PICTURE OF SOMETHING
D-SLR METERING MODE LETS YOU CHOOSE DIFFRENET ANGLES TO TAKE PICTURES
EXPOSURE LIGHT GIVES YOU AN ADVANTAGE SO YOU CAN TAKE BETTER PICTURES
COLOR SETTING LETS YOU AJUST THE COLOR IF YOU WANT
CUSTOM WHITE BALANCE LETS YOUR PICTURES COME OUT BRIGHTER
HISTOGRAM MAKE SURE THAT THE PICTURE COME OUT FULLY
FLASH COMPESATION HELPS YOU TAKE A BRIGHTER PICTURE SO YOU CAN SEE WHEN IT IS DARK
CREATIVE FLASH LETS YOU EXPAND YOUR OUT DOOR PHOTOGRAHP
MULTIPE EXPORSURE LETS YOU SHOOT MORE THAN ONE IMAGE ON A SINGLE FRAME
MIRROR LOCK UP LETS THE CAMREA TAKE A PICTURE BY ITS SELF WHEN ITS ON LOCK
THE D-SLR LETS YOU VIEW THE PICTURE YOU TOOK ON THE CAMREA ON YOUR TV
D-SLR USER ARE TRYING THING THEY NEVER USE ON THE CAMREA FEATURES
I SEE THAT THEY PUT A PICTURE IN THEIR TO SHOW US THAT THEY MADE BETTER FEATURES FOR THE CAMREA
D-SLR THEY MADE THE FOCUS POINT FOR THE CAMREA SO YOU CAN TAKE BETTER PICUTRES
YOU CAN ASLO TAKE CONTROL ON THE CAMREA FOCUS POINT
THEY ALSO HAVE FOCUS POINT SELECTION TO CHOOSE FORM
D-SLR LETS YOU CHOOSE DIFFRENET INDIVIDUAL FOCUS MODE
DEPTH OF FIELD PREVIEW LETS YOU BLOCK OUT ANYTHING IN THE BACKGROUND IF YOU WANT TO TAKE A PICTURE OF SOMETHING
D-SLR METERING MODE LETS YOU CHOOSE DIFFRENET ANGLES TO TAKE PICTURES
EXPOSURE LIGHT GIVES YOU AN ADVANTAGE SO YOU CAN TAKE BETTER PICTURES
COLOR SETTING LETS YOU AJUST THE COLOR IF YOU WANT
CUSTOM WHITE BALANCE LETS YOUR PICTURES COME OUT BRIGHTER
HISTOGRAM MAKE SURE THAT THE PICTURE COME OUT FULLY
FLASH COMPESATION HELPS YOU TAKE A BRIGHTER PICTURE SO YOU CAN SEE WHEN IT IS DARK
CREATIVE FLASH LETS YOU EXPAND YOUR OUT DOOR PHOTOGRAHP
MULTIPE EXPORSURE LETS YOU SHOOT MORE THAN ONE IMAGE ON A SINGLE FRAME
MIRROR LOCK UP LETS THE CAMREA TAKE A PICTURE BY ITS SELF WHEN ITS ON LOCK
THE D-SLR LETS YOU VIEW THE PICTURE YOU TOOK ON THE CAMREA ON YOUR TV
NOTES ON EILLEN COWIN
EILEEN COWIN
SHE BASE HER STORY ON FACT AND FICTION
SHE USE HER PHOTOGRAHPIC IMAGE TO GET AROUND STORY TELLING
SHE STARTED TO WORK ON HER IMAGES BECAUSE SHE BECAME INTRETSEAD IN LYING
SHE HAS A PICTURE OF A WOMEN THAT SHE IS YOUSING IN HER PICTURE
SHE IS TELLING US THAT THE IMAGE OF THE WOMEN EYE THAT SHE STARING AT SOME THING BUT WE CANT TELL WERE SHE LOOKING
SHE ALSO SHOW A BOOK WHERE THE IMAGE OF LINE HAVE BEEN PLEAD FROM THE BOOK
SHE TRY'S TO COMPARE TO THING'S THAT MAKE IT THE SAME
SHE WAS USEING THE FORK AS AN EXAMPLE THAT SOMETHING COMING OUT OF YOUR MOUTH SEEM SWEET BUT IST NOT BUT.
SHE BASE HER STORY ON FACT AND FICTION
SHE USE HER PHOTOGRAHPIC IMAGE TO GET AROUND STORY TELLING
SHE STARTED TO WORK ON HER IMAGES BECAUSE SHE BECAME INTRETSEAD IN LYING
SHE HAS A PICTURE OF A WOMEN THAT SHE IS YOUSING IN HER PICTURE
SHE IS TELLING US THAT THE IMAGE OF THE WOMEN EYE THAT SHE STARING AT SOME THING BUT WE CANT TELL WERE SHE LOOKING
SHE ALSO SHOW A BOOK WHERE THE IMAGE OF LINE HAVE BEEN PLEAD FROM THE BOOK
SHE TRY'S TO COMPARE TO THING'S THAT MAKE IT THE SAME
SHE WAS USEING THE FORK AS AN EXAMPLE THAT SOMETHING COMING OUT OF YOUR MOUTH SEEM SWEET BUT IST NOT BUT.
Wednesday, August 27, 2014
Friday, August 22, 2014
ADOBE
LIQUIFIED
OVER SATURATION
CLONED
TEXT IN PICTURE
PART DODGED PART BURNED
PART BLACK PART WHITE
DRAWING SPECIAL EFFECTS
WRONG COLORS
3 PHOTOS IN 1
Wednesday, August 13, 2014
VOCAB 1
AE - see automatic exposure
AF - see auto focus
APERTURE -the opening in the lens that allow
APERTURE PRIORITY - a type of automatic exposure in which manually selects the aperture and the camera automatically selects the shutter speed
ARTIFICIAL LIGHT - usually refers to any light source that doesnt exist in nature
AVAILABLE LIGHT - the amount illumination at a given location that applies to natural and artificial light source
BACKLIGHT - light that projects toward the camera from behind the subject
BOUNCE LIGHT- light that reflects off of another surface before illumination the subject
BULB - a camera setting that allows the shutter to stay open as long as the shutter release is depressed
CARD READER - device that connects to your computer and enable quick and easy download images from memory card to computer
CLOSE-UP - a general term used to describe an image created by closely focusing on a subject
COMPRESSION - method of reducing file size through removal of redundant data with the jpeg file format
CONTRAST - the different between two two or more tones in terms of luminance density or darkness
CPU - central processing unit this is the brains of a computer or a lens
CROPPING - the process of extracting a portion of the image area
DAYLIGHT - a white balance setting that renders accurate color when shooting in mid-day sunlight
DEPTH OF FIELD - the image space in front of and behind the plane of focus that appears acceptably sharp in the photograph
DOWNLOAD - the transfer of data from one device to another such as from camera to computer or computer to printer
DPI - dots pr inches referring to printing resolution
EXPOSURE-when light enters the camera and reacts with the sensitized medium the term can also refer to the amount of light that strikes the light sensitive medium .
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