Friday, August 29, 2014

WIKI NOTES

WIKI NOTES 

CAMREA HAVE A LOT OF FEATURES LIKE CONTROLS AND SWITCHS

YOU CAN SET YOUR CAMREA RESOLTUION TO TAKE HIGHE QUALITY PICTURES

YOU CAN SET UP YOUR CAMREA TO ONE OF THE AUTOMATIC MODE

WHEN YOU HAVE THE CAMREA WHIT YOU.YOU CAN TAKE PICTURE TO GET GOOD AT IT

YOU CAN TAKE PICTURES TO GET THE FEEL OF THE CAMREA

USING YOUR CAMREA KEEP YOUR LENS CLEAR OF CAPS STRAPS AND THUMBS

YOU CAN SET YOUR WHITE BALANCE TO CHANGE YOU DIFRENET KIND OF LIGHTING

YOU CAN SET UP A SLOWER ISO SPEED TO TAKE A BETTER PICTURE

TAKE PICTURES IN YOU HEAD BE FOR YOU TAKE IT ON THE CAMREA

TAKE PICTURES WITH THE FULL BACK GROUND

YOU CAN TAKE PICTURES UP CLOSE

YOU CAN SHOOT THE CAMREA FROM DIFFRENER ANGLES

YOU CAN USE AUTOMATICA FOCUS TO TAKE A CLEAR PICTURE

BALANCING THE ISO SPEED AND APERTURE

SO YOU WONT GET A BLURRY PHOTO STAY STILL

YOU CAN USE A TRIPOD TO KEEP YOU STILL

IF YOU DONT HAVE A TRIPOD DONT USE ONE

HOLD THE CAMREA IN A GOOD POSION IF YOU HOLD YOUR ARM UP YOU ARM BEGAINS TO SHAKE

USE YOUR FLASH SO YOU WANT GET A RED I IN YOUR PICTURE

USE YOUR JUDICIOUSLY WHEN YOU NEED TO

AFTER YOU TAKEN PICTURE GO THROUGH THEM TO SEE HOW THEY ARE

PRATICE AND PRATICE SO YOU CAN GET BETTER

WEB SITE REVIEW

WEB REVIEW 

D-SLR USER ARE TRYING THING THEY NEVER USE ON THE CAMREA FEATURES

I SEE THAT THEY PUT A PICTURE IN THEIR TO SHOW US THAT THEY MADE BETTER FEATURES FOR THE CAMREA

D-SLR THEY MADE THE FOCUS POINT FOR THE CAMREA SO YOU CAN TAKE BETTER PICUTRES

YOU CAN ASLO TAKE CONTROL ON THE CAMREA FOCUS POINT

THEY ALSO HAVE FOCUS POINT SELECTION TO CHOOSE FORM

D-SLR LETS YOU CHOOSE DIFFRENET INDIVIDUAL FOCUS MODE

DEPTH OF FIELD PREVIEW LETS YOU BLOCK OUT ANYTHING IN THE BACKGROUND IF YOU WANT TO TAKE A PICTURE OF SOMETHING

D-SLR METERING MODE LETS YOU CHOOSE DIFFRENET ANGLES TO TAKE PICTURES

EXPOSURE LIGHT GIVES YOU AN ADVANTAGE SO YOU CAN TAKE BETTER PICTURES

COLOR SETTING LETS YOU AJUST THE COLOR IF YOU WANT

CUSTOM WHITE BALANCE LETS YOUR PICTURES COME OUT BRIGHTER

HISTOGRAM MAKE SURE THAT THE PICTURE COME OUT FULLY

FLASH COMPESATION HELPS YOU TAKE A BRIGHTER PICTURE SO YOU CAN SEE WHEN IT IS DARK

CREATIVE FLASH LETS YOU EXPAND YOUR OUT DOOR PHOTOGRAHP

MULTIPE EXPORSURE LETS YOU SHOOT MORE THAN ONE IMAGE ON A SINGLE FRAME

MIRROR LOCK UP LETS THE CAMREA TAKE A PICTURE BY ITS SELF WHEN ITS ON LOCK

THE D-SLR LETS YOU VIEW THE PICTURE YOU TOOK ON THE CAMREA ON YOUR TV

NOTES ON EILLEN COWIN

EILEEN COWIN 

SHE BASE HER STORY ON FACT AND FICTION 

SHE USE HER PHOTOGRAHPIC IMAGE TO GET AROUND STORY TELLING 

SHE STARTED TO WORK ON HER IMAGES BECAUSE SHE BECAME INTRETSEAD IN LYING 

SHE HAS A PICTURE OF A WOMEN THAT SHE IS YOUSING IN HER PICTURE 

SHE IS TELLING US THAT THE IMAGE OF THE WOMEN EYE THAT SHE STARING AT SOME THING BUT WE CANT TELL WERE SHE LOOKING 

SHE ALSO SHOW A BOOK WHERE THE IMAGE OF LINE HAVE BEEN PLEAD FROM THE BOOK 

SHE TRY'S TO COMPARE TO THING'S THAT MAKE IT THE SAME 

SHE WAS USEING THE FORK AS AN EXAMPLE THAT SOMETHING COMING OUT OF YOUR MOUTH SEEM SWEET BUT IST NOT  BUT.

Friday, August 22, 2014

Food Pics











ADOBE


 LIQUIFIED
 OVER SATURATION

 CLONED

 TEXT IN PICTURE

 PART DODGED PART BURNED

 PART BLACK PART WHITE

 DRAWING SPECIAL EFFECTS

 WRONG COLORS



3 PHOTOS IN 1

Wednesday, August 13, 2014

VOCAB 1



AE  -  see automatic exposure                                                                                                                                                          
AF -   see auto focus                                                                                                                                                
APERTURE  -the opening in the lens that allow                                                                                                                                        
APERTURE PRIORITY  - a type of automatic exposure in which manually selects the aperture and the camera automatically selects the shutter speed                                                                                                                        
ARTIFICIAL LIGHT    -  usually refers to any light source that doesnt exist in nature                                                                                                                      
AVAILABLE LIGHT  - the amount illumination at a given location that applies to natural and artificial light source                                                                                                                                  
BACKLIGHT -  light that projects toward the camera from behind the subject                                                                                                                                    
                                                                                                                                   
BOUNCE LIGHT-   light that reflects off of another surface before illumination the subject                                                                                                                                      
BULB -  a camera setting that allows the shutter to stay open as long as the shutter release is depressed                                                                                                                                                                                                                                                                                                              
CARD READER   - device that connects to your computer and enable quick and easy download images from memory card to computer                                                                                                                                    
CLOSE-UP -  a general term used to describe an image created by closely focusing on a subject                                                                                                                                        
COMPRESSION  -  method of reducing file size through removal of redundant data with the jpeg file format                                                                                                                                      
CONTRAST   -   the different between two two or more tones in terms of luminance density or darkness                                                                                                                                      
CPU  -     central processing unit this is the brains of a computer or a lens                                                                                                                                        
CROPPING  -   the process of extracting a portion of the image area                                                                                                                                
DAYLIGHT  -   a white balance setting that renders accurate color when shooting in mid-day sunlight                                                                                                                                      
DEPTH OF FIELD - the image space in front of and behind the plane of focus that appears acceptably sharp in the photograph                                                                                                                                    
DOWNLOAD  -  the transfer of data from one device to another such as from camera to computer or computer  to printer                                                                                                                                
DPI - dots pr inches referring to printing resolution                                                                                                                                              
EXPOSURE-when light enters the camera and reacts with the sensitized medium the term can also refer to the amount of light that strikes the light sensitive medium .